Feeds:
Posts
Comments


From one risk to another fire set me running

like an old hill cat,
and I’m feeling trapped in a line of city cars.

I’d spent one night alone in my mountain home.
One day fire free until a friend spotted the smoke.
After that I did not feel so free in those mountains of mine.

Is it my imagination or do trains go slower
in summer’s oven? I’m thinking that in this light
the wheels might wrap themselves more tightly
about the rails.

Their parallelism must make the conductors insane.

The cars inch along as one after another someone
anticipates the signal. We seem to be entertainment

for the pedestrians outside,
our engines probably making them
hotter by the minute. One on the corner

is death, spitting over and over to see
if he can hit an empty can twice in a row
and set himself free. There’s

another man clapping to make the cars move faster
and one with his dog who has just spent money
that he can’t afford on something he doesn’t yet know
he wants. Another’s face

shows the debt of too many deferred mistakes. He
drew a picture once and he thought he liked it but
the smooth shaved back of his father’s neck said
never again son never again.




To become dust first overturn the spring,

make

it broker distress and taste the portent
we worked our whole lives for,

succulent,
like the dawn drawn
tall as a birthday candle and
made indelible ink

in honorable fire.

Now I can collect words which
otherwise might have been lost to tide and desire.
I can sound them to their depths
and examine the branch to the root—
bees in a state of alarm,

Bartok dead a penniless wreck.

You frustrated
the image I’ve always had of myself.

How quickly dust creeps into us.
A darling romance.
Smoke within smoke.





Tell me about clinging and I’ll speak to awareness—
we will try to not have precious things together.
Or unpack a tendency to associate which is none other
than the void excited over its own discoveries. Eventually

you can live more of the poetry that surprised you. So break
more hearts my teacher be there in now fly with birds don’t sit with the
world. Throw fear back to the gap and lash
it to the mainmast. Once more upon an evening tide.

Prophet do we need you?

Upon the open ocean they turn away no one .
And though you gave me a semblance of continuity,
leave me out of your cipher-lies. I was your parent child.
Your god sent beyond the moon. On deck tonight I heard a woman
speak all her words at once.

The place I came from was where she longed to be.



Plato was certainly what we today would call a behavioral psychologist at heart. Far more interested in describing the behaviors of thinkers and speakers, than in proclaiming the “Truth” himself.





I believe the word good refers me to such a broadly heterogeneous set of events that I have a hard time understanding how to respond to it. Moreover, I so often experience it as a feature of emotions like grief, envy, sadness, hatred and jealousy, that I rarely find useful. Given that history, what future could I possibly recommend for it?



Why are we so intensely enamored of the arbitrary landscape
of our birth-place, and is there anything we would not sacrifice for
its lonely lonely boundary?


Kant’s life work was nothing other than a head-on confrontation with an ancient problem: is the world best described by nature or nurture? Contingency or necessity? 1 And remember: his answer was given without the benefit of Darwin. Darwin, who gave us the most satisfying synthesis to date of this ancient dialectic, thanks –in part—to Kant’s titanic struggle with the hitherto indissoluble lexicon of western philosophy. Is it at all surprising that, following Kant, we see the birth of all that we call the social sciences? The study of nature in nurture? Contingency in necessity? That we turned our attention once again to the classic dialectic of enlightenment, calling it instead the new reason of living and of life?

1 “Can you tell me, Socrates, whether virtue is acquired by teaching or by practice; or if neither by teaching nor practice, then whether it comes to us by nature, or in what other way?”



Angels tended by professors in large books
bound to calculations, corsets and calendars spent on
control – these the rambling
divisions whose very
end is night,

when words enter your unguarded ear. Come
with me and leave guesswork behind.
I told you already to approach

intensity from the lee side, redraw the map,
jump your chance to be a seller in the market.
Or climb a slide and leave

your karyotype behind.

Where is the midsummer moon tonight? Is it one under which
pressed lips might together sing about? Mountains might be won?
No matter how busy I get,

or clever I become, I must learn that the essence of practice
turns on a key of continuous narrative, a question mark riven right
between the sea and the questioniers,
forgotten by the sand they walked on,
moved by the tears they dried.

How everyone should change their name once slowly
and fall in love before they die.





Why do I want readers to make connections for themselves? Why write vague and evocative poetries? Because I think the journey to yourself begins with a question seamless enough only you can afford to unthink it. The one declaration you can never begin, to unhear.





                                    a consensus of brief poems (interrogated,
                                    as to their commonalities)





if we write our history as a tribe of endless funerals
the nails in coffins melted together adding
up to one large memorial statue on the lawns
of nameless cities

burial within burial must end somewhere





if you wish to send me back my voice use your
own address – copy it over lovingly letter for letter
and garnish what space the open page reserves
for poetry




                        don’t trash the little ones for being different
                        time made them what they are and
                        morals are no more than lazy words
                        for things we don’t see immediately





tired of all their letters by last light
the man and his daughter rhymed a bit
and laid

their guitar to bed





                               they will see truth upon truth heaped up by ages
                               alimony paid for unwed couples laden with many
                               memories of children and will
                               not want for joy

                               resting in plato’s cave